The painting of St. Nicholas the Bishop is a tempera on board made in Mannerist style in the 2nd quarter of the 17th century.

Vertical painting, closed at the top with a semicircle, monochrome, figure painted in bronze on a white background. The painting depicts St. Nicholas the Bishop in full figure, dressed in pontifical vestments, with a mitre, a pastoral in the right hand, the left lowered along the torso. The face is oval, with a low forehead, long straight nose, narrow lips and protruding chin. Robe disheveled with schematic vertical folds.

The painting is located in the Main Altar in the chancel of the parish church.

Oil painting on canvas made in Baroque style in the 1st half of the 18th century.

Rectangular painting closed with a semicircle at the top with a depiction of St. Veronica demonstrating a headscarf with an image of Christ's face. The saint is shown in half pose wearing a gown shallowly cut at the neck and a loose-sleeved cloak, dark hair covered with a veil, her head is surrounded by a luminous halo. Oval face with long nose, small mouth, almond-shaped eyes looking straight at the viewer slightly tilted to the left. Color scheme not visible.

Oil painting on canvas made in the classicist style in the 1st quarter of the 19th century.

On a blue background of clouded sky sit two women - allegories of Hope and Faith, above them a dove. Sitting on the left is a woman with her head covered with a robe seam, in her right hand outstretched she holds a chalice, against her left shoulder rests a large Latin cross. Allegory of Hope facing right, left hand holding anchor, right hand holding Faith, between them a papal tiara.

Oil painting on board made in late Baroque style in the late 18th century.

The painting on a wooden base, curved cylindrically, with the outline of a figure. It depicts the Holy Angel standing among the clouds, with his legs wide apart, wearing a blue knee-length robe and a narrow red shawl. With his right hand raised, he presses a white shawl to his face, while his left hand grasps an unfurled sash with the inscription: APRETENTUS EST (transl. supplicant).

Oil painting on board made in late Baroque style in the late 18th century.

Oil painting on a wooden base, curved cylindrical, with the outline of a figure. It depicts Saint Angel standing among the clouds, wearing blue robes and a red shawl flung over his right shoulder. His head is lowered, his face with an expression of concentration, in his left hand he holds a closed book, in his right hand a sash with the inscription: TRICINTA ARGENTEIS.

Polychrome and gilded wood sculpture made in Baroque style in the 1st quarter of the 18th century.

The sculpture depicts a nude putto standing on bent legs facing right, head turned to the left, full face with a high forehead surrounded by curls of hair, small upturned nose, narrow eyes under raised eyebrows, thick lips of half-open mouth, right hand bent at the elbow lowered backward, left hand extended, straightened slightly upward, slightly convex breast separated by three folds from the bloated abdomen, a country robe thrown over the left hip, wings spread at the shoulders. Angel polychromed in white, wings gilded.

The late Baroque portal-column altarpiece, made of polychrome wood with gilding and silvering, was created around the 2nd quarter of the 18th century. It features a single-axis, one-story retable, framed by two composite columns set on high pedestals. On both sides openwork earrings with acanthus motifs. Above the columns a frieze-decorated impost is supported by the original volute pediment, in the center of which in an acanthus wreath a cartouche with a winged angel's head, above which a tondo surrounded by a viceroy surmounted by a gloria.

Baroque style oil on canvas painting from the 2nd quarter of the 18th century.

Rectangular painting, enclosed by a suspended solid arch. It depicts the Archangel Michael fighting the Devil. The angel situated in the center of the painting against a background of clouds, darkening the sky. The figure has a round boy's face, with flowing hair, a high, arched forehead, large downcast eyes, a straight nose, and a small, narrow mouth. He is dressed in dark-robed antique armor superimposed over his robes. In his right hand raised over which is slung a palius, he holds a thunderbolt with which he strikes devils, in his left hand a round shield with the inscription QUIS vt DEUS. At his shoulders he spreads golden-blue wings. Lower below him, horizontally projected figure of a devil with a bald head with two goat-like horns and a face contorted with terror. The muscular body twists in dramatic gestures. Visible in the lower left corner are the faces of other devils with huge pointed ears, battered foreheads, huddled under the towering figure of St. Michael. The color scheme is dark blue brown. The composition is very dynamic, kept in warm tones.

The painting is an oil on canvas in the late Baroque style created in the 2nd quarter of the 18th century.

The tenda-shaped painting is located in the finial of the left side altar. In the foreground is depicted St. John Kanty, adoring Mary and Christ seated on the clouds. On the left in the background are faint fragments of architecture. The saint is dressed in red and black robes with white lining. Christ's legs are of white-gray flesh tone with a slightly darker perisonium. Mary is dressed in a gray-green gown over which a dark cloak is imposed.

The background of the composition is grayish-brown.