The painting was made using oil on canvas technique in the Baroque style in the 18th century. The painting is located in the north porch of the parish church. In the foreground of the composition on the axis is depicted a Trinitarian surrounded by five people, pointing to the deceased, sitting on the mars. In the background on the left is a fragment of architecture, on the right is a landscape above which clouds can be seen clustered. The Trinitarian is dressed in a white habit with a cross on his chest, with a brown cloak thrown over his shoulders. The figures standing next to him are dressed in dark green and red robes. The deceased is naked with a dark brown body color. Background: architecture in shades of brown, blue-white-gray clouds.

Oil on canvas stretched on a board in the Baroque style was created around the 17th century.Author unknown.

The painting in a rectangular, semicircular closed frame.

Representation of a representative nature, of the " Hodegetria" type. Mother of God in half pose facing frontally, with the Child on her left forearm embraced with both hands. The Child with right hand raised in a gesture of blessing, in the left hand she holds a closed book. Mother of God in dark green robes covering figure including head, Christ in pink dress. Around the heads of the figures circular nimbuses. Patterned background, gilded, die-cut with floral ornament.

Oil painting on canvas made in Baroque style in the 1st half of the 18th century.

The rectangular picture of St. Andrew, without a wooden frame, depicts the saint en face, standing in a slight contrapposto, with his left leg resting on a pedestal. St. Andrew is shown as an elderly man with his face encircled by a beard, his hands embracing an X-shaped cross on which he suffered martyrdom. The robe is richly draped, expressively arranged folds, the cloak is imposed on the shoulders with a certain flair. The color scheme is kept in brown tones.

The painting " St. Anthony of Padua with the Child" in a wooden, profiled, polychrome frame, finished with a concave-convex arch motif at the top. In the lower part finished with a fragment of an arch. The scene shows a saint kneeling in a monk's habit, with an open book at the saint's feet. St. Anthony embraces with his right hand the infant sitting on a cloud, covered by an airy robe, in his left hand he holds a lily. Above the figures, angel heads emerge from the clouds. The color tone is maintained in shades of brown, gray, green, light brown. The habit is red, the Child's robe is light gray bleached, the Child's body has a light complexion. Modeling of the figure carried out sparingly, with soft folding of the robes.

The painting " St. Philip" rectangular in a wooden profiled frame depicts the saint standing on a small pedestal in a slight contrapposto. The apostle is shown en face throughout. In his right hand he holds an open book resting on his hip, while in his left hand he holds a cross. The robe is smoothly modeled with soft folds in dark navy blue with a red stripe. The background of the scene is neutral maintained in a dark brown shade. In the upper part of the painting above the figure there is an illegible inscription in Latin, on the pedestal in the lower part of the painting there is an inscription : S. PHILIPPUS.

The painting is located on the wall in the south aisle.

The oil painting on canvas in the Baroque style was created in the 1st half of the 18th century.

The rectangular painting shows a figure of an adult male standing on a pedestal with the inscription " S.JACABUS MAJOR ". The saint is dressed in a tunic of red, with a blue cloak thrown over his right shoulder holding a pilgrim's staff. In his left hand an open book supported by his hip, on his feet high leather boots. Face facing ¾ to the left surrounded by dark hair, beard and mustache, skinny. Above the figure an inscription : " Jesu Christu unia filioucius unicu Dominu Nostrum Uniaruut... apostolus sed ad heredet Agrippa decolatus hiesolum XI IV".

Baroque oil painting on canvas from the 1st half of the 18th century.

The painting of St. John the Baptist has a rectangular format, in a molded, polychrome frame depicts the saint standing on a pedestal in slight counterpoint, en face, with the saint's face shown in profile. St. John the Baptist is wearing sheepskin imposed on his back, with a robe slightly ruffled on his hips. In his left hand he holds a cross with a flag and the inscription " Ecce agnus Dei". With her right hand, however, she points in an unspecified direction. The modeling of the figure is somewhat simplified and economical in expression with strong musculature of the body. The background is natural dark brown, the skin is brown. The figure of the saint in flesh tones, the cross dark brown with a white flag. Above the figure in the upper part of the image an inscription in Latin barely legible. 

The painting is located on the wall in the nave of the semi. Parish Church.

Oil painting on canvas in the Baroque style was created in the 1st half of the 18th century.

The painting " St. John Kalasanty in a wooden, polychrome frame, richly profiled at the top ending in a concave-convex arch, while at the bottom ending in an arch motif. The saint in the garb of a canon is shown against a background of architecture visible only in faint fragments. On the left side of the composition is a pulpit with a spread book and a standing crucifix, below is a seated putto with a lily. Above the figure of St. John the figure of a winged angel emerges and the head of an angel is visible. The color tone is maintained in shades of brown, gray, green with a tinge of dark blue and pinkish white. The saint's cassock is black, the communion is white. The composition depicts a figure in motion, the saint with one hand raised upwards, the right hand slightly raised, the vestments softly modeled.

Oil painting on canvas in a wooden frame , of Baroque character made in the 1st half of the 18th century.

The rectangular painting in a wooden, polychrome, moulded frame depicts St. Matthias the Apostle against a natural background. The Apostle is shown on a small pedestal, ed pied. In his hands he holds the attributes of his martyrdom - an axe and a rod. The figure of the saint in a certain twist of the body ( legs set in an abnormal arrangement), modeling carried out much schematically. The color tone is maintained in shades of tinted brown, dark red coat, dark blue robe, hair and beard brown, face and hands close to flesh tones. The robe is draped with some flair with rather softly falling folds. Above the figure is a faintly legible inscription in Latin.