Pulpit made of polychrome wood in Baroque style in the 2nd quarter of the 17th century( TL 000719).
The pulpit with a five-sided basket, closed at the bottom with a bell-shaped chalice and cone. On the walls of the body paintings of the evangelists.
The canopy in the form of a slender gloriotte topped with a sculpture of St. Michael.
The pulpit is located on the wall near the chancel.
Baldachin made of polychrome wood with gilding. Baroque style , it was created in the 2nd quarter of the 17th century. It is part of the pulpit located on the wall near the chancel.
A canopy in the form of a gloriette, 6-sided with a wide cornice with cones hanging at the corners. On the parapet set spindly vases, above a columnar glorietta. A % of Corinthian columns carry a wide gambrelled cornice. Wall between columns cut into shape like paintings in pulpit body. Above, a 4-sided box with semicircular closed openings, supported by thin volutes. On the onion-shaped helmet set the statue of St. Michael, white , gilt ornaments.
Sculpture of St. Michael made of gilded, polychrome wood from the 2nd quarter of the 17th century. The style of the sculpture is baroque. The ba sculpture is part of the pulpit located on the wall near the chancel.
The sculpture depicts a standing angel with outstretched wings, wearing antique armor clinging to his torso and a long robe to his feet splayed at knee height on his left leg. The left hand raised behind the head, the right bent at the elbow extended. The angel's head is large, surrounded by curls of hair, the face is full, the eyes are set in, the nose is small, the mouth is compressed, the chin is protruding. Polychromed in white. Armor and wings gilded.
The painting of St. Mark tempera on board made in Mannerist style in the 2nd quarter of the 17th century. The painting is part of the pulpit located on the wall near the chancel.
The painting, in the shape of a standing rectangle closed by a semicircular hatch, depicts St. Mark standing. With his left hand he supports an open book, with his right hand raised he holds a dagger. At his feet on the left side a lion.
The face of the saint is long, surrounded by a long beard, with a high forehead, long nose, narrow eyes. Local coloring, dark brown tones.
St. Matthew tempera painting on board made in Mannerist style in the 2nd quarter of the 17th century.
The rectangular-shaped painting, enclosed by a semicircular arch, depicts a standing saint facing left and a smaller angel hovering under the saint's left hand.
Matthew holds an open book in his left hand, his right hand with open palm raised. Face shown in three-quarter, oval, surrounded by a long chin, nose long, slightly upturned, eyes downcast.
Minor angel with face turned to saint extends palm of right hand, left hand lowered. Local coloring, dark brown tones.
The painting of St. John tempera on board was created in Mannerist style in the 2nd quarter of the 17th century. It is part of the pulpit located on the wall near the chancel.
The painting, in the shape of a standing rectangle enclosed by a semicircular hatch, depicts St. John standing. The saint is facing right, wearing an undulating dark robe. In his left hand he holds an open book, while his left hand is lowered along his body. The young man's head is slightly bowed, surrounded by long hair, with a high forehead. Face with large eyes, straight nose, small mouth. At the feet an eagle. Local coloring , dark brown tones.
The painting of St. Luke tempera on board was created in Mannerist style in the 2nd quarter of the 17th century. It is part of the pulpit located on the wall near the presbytery.
The rectangular-shaped painting, enclosed by a semicircular arch, depicts a standing saint facing left. In his left raised hand he holds a pen, with his right hand he presses a folded book to his side. To the right at his feet is a kneeling ox.
Face raised, shown in profile, surrounded by a short chin, with a low forehead, protruding nose, thick lower lip. Local coloring, dark brown tones.
Baptismal font made of wood and sandstone in Regency style in the 2nd quarter of the 18th century.
It is located near the chancel on the left side.
Baptismal font with a stone base in the shape of an inverted, multi-petalled chalice. The shaft , bowl and lid of wood polychrome orange with gilding and silvering. . The stem consists of two bulbous nodus, the upper larger one above it a ring flowing smoothly into the bowl, separated from it by a two-leaf cornice. The bowl is 7-sided, covered with regency ornamentation, the rim ending in a two-stage dodecahedron. Baptismal font covered with a 7-sided lid, shaped a foot from the chalice, with a stepped pedestal, tapering upward with a ring covered with pincer ornament. The lid topped with a flat 7-sided cusp, the shaft reinforced with cast iron supports.
Statue from the 2nd half of the 18th century . late baroque , polychrome wood with gilding and silvering. The statue depicts St. John the Baptist seated on a log holding a cross with both hands, with a lamb lying at the saint's feet, The saint with a naked torso covered with a silver-gold robe, with bare feet. In his hands on the right side he holds a cross girded with a sash with an inscription. And at his feet lies a golden lamb. The entire statue is 45 cm high.
Sanctuary of Our Lady of the Scapular in Tomaszow Lubelski
Królewska 1 street
22-600 Tomaszów Lubelski
Weekdays: 6:30, 7:00 and 17:00
Sunday: 20:00*, 7:00, 9:00, 10:30, 12:00, 15:00 and 17:00
* Saturday
Monday, Friday:
15.30-16.30
Tuesday - Thursday:
8.00-9.00 and 15.30-16.30
Saturday, Sunday and celebrations:
The office is closed
Bank Spółdzielczy Tomaszów Lubelski
Orzeszkowej 2 street, 22-600 Tomaszów Lubelski
Account No.:
60 9639 0009 2001 0011 3364 0001
Tax No: 921-144-17-57
phone 84 664 21 77
e-mail:
and
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