The painting is an oil on canvas in the Baroque-Classical style from the 1st quarter of the 19th century.

The painting depicts St. Michael the Archangel standing in the middle, on a hill, against the sky, calling for the final orchard. The archangel is dressed in ancient armor, wearing a red cloak, with his left hand outstretched, in his right hand he puts a long trumpet to his lips. At the back, to the right from behind the clouds a wide band of rays, at the bottom stretches the landscape - and to the left the plains , to the right the forest. On the spreading plain depicted the act of resurrection-coming out of the ground half-naked or dressed in shrouds people.

Altarpiece made of oak wood, polychrome and gilded, in Baroque style, in the 1st quarter of the 18th century.

Portal-column altar, composed of two forward Corinthian columns set on pedestals and base, carrying a high impost, girded at the bottom with three shafts, at the top with a palmette frieze, supported by an interrupted volute pediment, between the columns in an acanthus-decorated frame a figure of St. Anthony the Child. Between the columns in an acanthus-decorated frame a figure of St. Anthony with a child, above in an acanthus wreath an ellipsoidal image with an angelic head, at the top separated by a laurel-decorated slatted tondo in a laurel wreath with an image of the stigmatization of St. Francis, in the finial a gloria with the monogram "IHS"; along the columns on the sides, above the volutes of the abutment around the tondo acanthus decoration in the fields of the pedestal acanthus floss. The altarpiece is polychromed in white, the picture frames, the mouldings of the panels are gilded, the acanthus appendages are gilded and silvered.

Oil painting on canvas made in the Baroque style at the turn of the 17th/18th century.

The rectangular painting, the top edge closed with an arch, depicts St. The painting depicts St. Anthony kneeling in front of a table, taking in his arms the Infant standing on it; the saint is painted in profile, the left side of the painting in the part of the robes is obscured by a tin cloth, the head with a tonsure, with an expressive face with a slightly humped nose, straight eyebrows, with thick lips half-open mouth; The child, dressed in a white flowing robe but showing the outline of the body, stands barefoot, the face depicted en trois-quatre with a high forehead and lowered eyebrows surrounded by light curls of hair facing the kneeling saint with outstretched hands grasps his chin; above, in the clouds, two angels, puckered, with marked musculature, the upper one arranged horizontally depicted in profile, with bent leg facing en trois-quarte looking at the scene below, the lower one visible from the shoulders and head holding a lily obscured by a sheet of metal; the scene takes place in an interior, on the right it opens into another room with a two-tone floor and with a window open to a distant landscape, on the left of the painting a dark door and a fragment of a column; in the lower right corner at the knees of the kneeling St. Anthony. In the lower right corner, at the knees of the kneeling St. Anthony, a red book protrudes slightly in front of the step. The color scheme of the painting in olive tones. High artistic level.

Oil painting on canvas made in the late Baroque style in the 2nd quarter of the 18th century.

The tonneau-shaped painting is located in the left side altar in its finial. In the foreground it depicts St. Francis presenting the stigmata, facing a crucifix suspended among the clouds. In the background of the composition is a faint landscape. The saint is dressed in a brown habit, girded with a black cord. The background of the painting in gray-blue color tones.

Oil painting on canvas made in the Baroque style at the turn of the 18th/19th century.

The painting depicts St. Anthony in a sermon to the fish, the saint stands in the middle of the shore in a brown habit girded with a cord, facing slightly to the right, with a full face with a tonsure, with a halo around his head; arms outstretched, in his right slightly lowered hand he holds a crucifix, feet in sandals are visible from under the habit; St. Anthony depicted against a landscape - rising banks on two sides with trees, sky. St. Anthony depicted against a landscape - rising banks on two sides with trees, sky, in the river depicted realistically painted fish, in front of the saint on the left side carefully painted vegetation and a lily. Naive character evident in disproportionately large fish, schematic landscape. Local color scheme, browns and greens.

The sculpture was made in classicist style in the 1st quarter of the 19th . The wooden sculpture depicts St. Anthony holding the infant Jesus in his left hand. The saint is dressed in a brown habit girded with a gray cord - tinsel. On the right side of the sculpture under the figure's arm are white flowers. The baby Jesus is dressed in a light-colored T-shirt. The entire sculpture is 80 cm. It stands on the altar of St. Anthony of Padua.

Late Baroque altarpiece, dating from the 2nd quarter of the 18th century, portal-column, single-axis, one-story, made of polychrome, gilded and silvered wood, with oil paintings and antepedium, consists of a pedestal and Corinthian columns raised on forward projecting pedestals supporting a gilded cornice on high consoles. On either side are openwork earrings with acanthus tendrils and angel heads. Above the columns an impost supported by an interrupted volute pediment, in the center a cartouche with a Marian monogram in a wreath of acanthus leaves, above a tondo and gloria.

Late Baroque style oil on canvas painting from the 2nd quarter of the 18th century.

The tondo-shaped painting is located in the finial of the left side altar ( near the choir). It depicts St. Andrew the Apostle standing in the foreground and the landscape in the background. The saint is holding a cross in his left hand and an open book in his right hand, pressed against his leg. His face is drawn, with a high forehead, and he is facing to the left. He is dressed in a gray-green robe, over which a white and brown cloak is imposed. The cross is brown. The background of the composition in gray-green-brown tones.

Painting from the 1st half of the 18th century in the Baroque style , oil on canvas.

Rectangular painting, the frame is decorated with acanthus and laurel leaves. The painting depicts St. Joseph with the Child in his right hand and a lily in his left hand.  St. Joseph in full figure is dressed in a brown robe in dynamic movement. The saint's face is pale, with a high forehead, slightly closed eyelids, surrounded by a short beard and hair down to the nape of the neck. The baby Jesus, wearing a pink shirt, sits on the Saint's arm and his left hand embraces Joseph's neck. The figures against a gray landscape.