Baroque style oil on canvas painting from the 1st half of the 18th century.

The Rectangular, unframed painting depicts the saint in full form, en face as an elderly man with his chin and his eyes pointing downward to the right. The apostle rests his right leg on a small pedestal, while resting an open book on his leg. The robe is richly draped with a certain flair, softly falling folds of yellow-brown color with a tinge of dark green. Above the figure, an inscription in Latin is faintly legible, while in the lower part of the painting an inscription on the pedestal reads: S.MATHEUS

The painting is on the wall in the nave on the left side.

The Baroque-style oil on canvas painting was created in the 1st half of the 18th century.

Rectangular painting, depicts a standing figure of St. Paul on a pedestal, facing right, face en face, in contemporary costume, a kontusz girded with a narrow belt, wearing a cloak cinched at the neck, long boots. He holds a sword in his left hand and a book in his right. The face is elongated, with a long beard and lowered catfish moustache, the forehead is low, the eyes under the bushy eyebrows look straight at the viewer, the nose is large humped. At top inscription : " Iundomanium aliut nemo Polest... Preterictus quod Positium/ est qued JESUS Christus Cor.3 Abhieruzalem/ us ad dalmoiliam imteuit Evangelium rom 13 v 19", on pedestal S. PAULUS.

Local coloring, brown tones.

Painting oil on canvas in Baroque style , created in the 18th century .

The painting is located in the north porch of the church. It depicts St. Peter in full, standing form. The saint holds two keys in his right hand, with his right hand he presses a closed book to his hip. He is dressed in a dark blue robe, girded with a gray cord, over which is imposed a light brown cloak. His forehead is high, his face surrounded by gray beard. The feet are exposed, wearing sandals on thongs. The background is natural and dark. In the lower part of the painting a plaque with the inscription "S. PETRUS", in the upper part an inscription in Latin.  

The Baroque-style oil on canvas painting was created in the 1st half of the 18th century.

The rectangular painting, against a dark background, depicts the figure of St. Thomas on a pedestal with the inscription " THOMAS". The saint is walking to the left, dressed in a short tunic in blue, wearing a yellow flared cloak fastened under the chin with a buckle, surrounding the figure with numerous folds, with leather boots on his feet. The saint holds a spear in his left hand with the spearhead pointing downward. The face is shown in profile, with a long nose, surrounded by long, dark hair and beard. Legs painted ineptly. Above the figure an illegible Latin inscription.

The painting is located in the south aisle of the parish church.

The painting is oil on canvas in the Baroque style , created around the 18th century.

Rectangular image. Single figure composition, on a homogeneous brown background. The saint in full figure, on a pedestal base, framed ¾ right side, standing firmly on his left leg, right leg bent at the knee. Supported with both hands on a saw, which is in front of him , on the right side of the painting. In the right hand the spar of the saw, the left lowered on the blade. The head is turned to the right. Face elongated, with prominent nose, full beard with long beard, surrounded by dark, short hair. Feet barefoot. Dressed in a greenish gown with sleeves, belted at the waist , and a voluminous red cloak, thrown over the shoulders, put additionally over the right shoulder. The panel is gray, the pedestal greenish. The image is located in the side aisle on the right side.

The painting The Establishment of the Order of the Trinitarians is an oil on canvas in the Baroque style created in the 1st half of the 18th century.

Historical background: the Order of Canons Regular of the Holy Trinity, known as the Trinitarians, founded in France in 1198 by John of Mathy and Felix of Valois, to free and ransom Christian captives from Muslim slavery. In Poland since 1688.They were brought to Tomaszow in 1727 by Hetman Jozef Potocki. In 1783 the suppression of the order in the Austrian partition .

The painting of a symbolic nature, kept in the type of representations of the Last Judgment. In the upper part of the painting - the patron of the vocation of the order - Christ Throning, seated on the clouds, with a crown on His head and a sword in His right hand. On either side of Him are four angelic figures in the garments of the Trinitarian order and white habits with red and blue crosses on scapulars. In the scene at the bottom of the painting, a representation of a seated figure of the winged Archangel/Michael wearing a black feathered hat and a reddish-brown, heavily ruffled, voluminous robe: holding with both hands an oval portrait of John of Matha, having miraculous visions of divine orders of care for Christian slaves. At the feet of the Archangel kneeling figures of captives above whom a Bishurman guard with a halberd.

The painting is located in the south porch of the parish church.

Painting oil on canvas in a wooden frame , contemporary art dates from the 1st half of the 20th century.

Rectangular painting in a moulded, polychrome frame decorated with wolf's-eye motifs. The composition depicts St. Francis resting his leg on a globe and embracing Christ on the cross. Christ with one hand rests on St. Francis' shoulder. To the right of the cross in a cloud an angel emerges holding an open book. The background of the scene is a mountainous landscape. The color tone is kept in light pastel colors, the sky - blue, the landscape - green-brown, the figure of Christ - flesh-colored complexion, the perisonium - white, the habit of St. Francis - brown.

The Resurrection painting is an oil on canvas in the late Baroque style created in the 2nd half of the 18th century.

Rectangular painting, in a wooden frame, profiled, decorated with a kimation ornament of great stylization. The composition depicts the Risen Christ, hovering among the clouds with his left hand raised in the air, while his right hand supports a flag. The robe imposed on his back is wide open, draped in fine folds. Two guards are shown in the lower part of the painting, one sleeping in armor with a spear, while the other guard is shown in violent motion. Beside the guards lie scattered shields. At the tomb stands an angel supporting a slab that closes the tomb. Modeling carried out linearly with great simplifications especially in the elaboration of the arms and legs. The color tone is maintained in shades of brown, white, blue yellow and gray.

The painting is on the wall in the porch of the parish church.

Portrait of Jerzy Erazm Bietkowski, parish priest of Tomaszów, Canon of Lvov and Przemysl, Chancellor of the Lvov Curia.  Oil painting on canvas probably from the 2nd half of the 18th century.

The painting depicts a man of about 60 years of age, in a portrait shot, up to waist height, slightly en trois quarts to the viewer - from the left, against a flat, lightened gray background to the left of his head. The man is dressed in canonical garb. In his elbow-bent left hand he holds a presumably leather-bound book, holding one of the pages with his index finger as a form of bookmark. The hand of the right hand bent at the elbow, captured in the painting up to the wrist, rests presumably on a tabletop that is outside the painting. The man, with a fair complexion, rounded facial features, with marked wrinkles, has gray hair (presumably a toupee), slightly wavy, reaching in height above his chin, with the ends curled outward.

At the white priestly collar is a befka. The canon is wearing a red mucet with a black hood, elbow length and above the waist. Under this robe, a gray-blue rocket is visible, with a uniform thin fabric on the torso and such crinkled sleeves. Along the robe through its center runs openwork lace in the form of stylized floral threads, the lace repeated in the trim of the robe below the waist, and on the thicker cuffs of the sleeves, ending in a narrow, wrinkled frill. The painting is located in the parsonage.