The portrait of Rev. Felix Kurzątkowski is an oil on canvas probably made in the 1820s/30s.

The painting is believed to have been created after 1817, when Fr. Felix served as the parish priest of Tomaszów and then as a canon of the Lublin Cathedral.

The painting depicts a man in a portrait shot, slightly en trois quarts-right shoulder to the viewer-to below waist height, against a neutral brown-black background.

A man about 50 years old, with a full-figured face and body, wearing the robes of a canon, with longer chin-length slightly wavy gray hair, fair complexion and rounded facial features. He is dressed in priestly garb: a top black mucet of length past the elbow and above the waist, with a black collar with white trim, fastened in the middle with red buttons, the last two of which are undone, with red trim on the edges of the robes, and a lining of that color visible at the bend of the arm. On the man's chest hung on a gold chain a distaff - a cross decorated presumably with stones of red and black color. Below this robe are visible pants , a gray-blue communion with ruffled sleeves, visible in one of them an embroidered cuff and embroidery on the belly. In the lower left corner in front of the man is a fragment of a wooden tabletop (table) situated diagonally to the figure, on it a pen with a silver nib and an orange-colored handle and a sheet of paper rolled four edges inward.

The painting is presumably made in connection with the architectural foundation of Michal Zdzislaw for the Church of the Annunciation of the Blessed Virgin Mary in Tomaszow Lubelski, made in 1727.

Oil painting on canvas from the 1st half of the 18th century.

The man is shown in a portrait shot, up to waist height, facing the viewer with his head and torso slightly en trios quarts, depicted against a solid black background framed on the sides by a rounded gray-blue background.

Male, 30-40 years old, with rounded facial features, fair complexion, graying hair with slight waves, longer hair reaching above his chin. He was dressed in shiny metal plate armor, with a visible white collar, epaulet, abdomen, breastplate and breastplate. Across the man's left shoulder to his right side, hung on a blue ribbon the Order of the White Eagle. The star of the Order presumably embroidered is at chest level, on a red fabric lined with ermine, slung over the left shoulder and visible between the other elbow and the torso.

The painting " Trinitarians under the Cross " made in the technique of oil on canvas in the Baroque style from the mid-18th century.

Rectangular painting in a wooden frame, molded, polychrome at the top ending in a concave-convex arch motif, while at the bottom ending in a fragment of an arch. The scene shows two Trinitarians kneeling by the crucified Jesus. The figures of the Knights kneel on either side of the cross with their heads turned upwards looking at Jesus.  The hands of the Trinitarians are raised in the air, the figure on the right side of the cross is pointing his hand at Jesus. The figure of Jesus suspended from the cross with his head pointing upward toward God the Father, shown at the top of the image in clouds and with a dove symbolizing the Holy Spirit on his chest. Around the cross and at the very top of the painting are placed figures of Angels . Two figures of Angels kneeling by the cross and two on the clouds located on either side of the horizontal beam of the cross.  At the top of the painting Angels in the clouds by the figure of God the Father . Behind the cross are visible hills and trees. The background of the painting is kept in neutral tones with brown and gray colors.

The painting was made using oil on canvas technique in the Baroque style in the 18th century. The rectangular painting in a wooden frame depicts St. John the Apostle standing on a small pedestal. The Apostle is shown in full figure, holding a chalice in his right hand, his left hand is placed on his chest. The head is slightly turned to the left , surrounded by a bright glow. The robe is smoothly modeled with soft folds in beige and red colors. Background of the scene in neutral light gray colors. Above the head of the Saint an inscription in Latin.

The oil on canvas painting of Baroque character was created in the 1st half of the 18th century.

The rectangular painting in a wooden, moulded frame depicts St. Jude Thaddeus against a natural background. The holy apostle is shown in a slight contrapposto, en pied, with his back to the viewer, while his face looks straight ahead. With his right hand, he holds a cudgel, an attribute of martyrdom, while with his left he holds up the half of his cloak. The color tone is kept in dark colors much muted. The robe is red, the cloak brown. At the bottom of the painting is an inscription in Latin.