Baptismal font stone-sandstone, created in the 16th-17th centuries.

A trapezoidal bowl set on a rectangular shaft supported by a quadrilateral, slightly convex base. Notches on the upper surface of the base.  Preserved remnants of polychromy in the form of tendrils and plant branches.

Kneeler made of oak wood in Baroque style. It was created around the middle of the 18th century.

A kneeler composed of a narrow bench and a lectern with a slightly rounded front wall, on which a wide, flat slightly convex Latin cross is depicted in a panel. The lectern rises on a pedestal formed from a wide panel and encircling the kneeler's walls with a narrow profile. Condition

The kneeler is located in the stone vestry.

Confessional made of polychrome oak wood, in Baroque style. It was created in the first half of the 18th century. Confessional with a quadrilateral, overhanging pulpit, with an octagonal panel surrounded by a profiled moulding on the front wall. Built-in chair. The side wall with grilles cut decoratively in the corners carry a box-shaped canopy - the lower part decorated with three shafts, the upper parts separated by a profiled wall in the form of a cornice. Polychrome in dark brown color.

Painting of penitent St. Magdalene tempera on wood made in Baroque style in the 1st half of the 18th century . Moved with the entire confessional from the Trinitarian church in Tomaszow after 1783.

The painting depicts a kneeling saint, facing left, while her head is turned to the right. With one hand, she grasps the book lying before her and the fold of her robe. With the other she holds the pages. She is dressed in a white shirt with the sleeve rolled up above the elbow and a wide ruffled red cloak. Behind the saint depicted is a vast landscape with mountains in the distance, a flowing river and trees.

Painting of St. Gregory tempera on wood made in Baroque style in the 1st quarter of the 18th century. Moved together with the confessional from the former Trinitarian church in Tomaszow Lubelski after 1783.

The painting depicts St. Gregory facing left, seated in a chair with rich braided railings, at a table covered with a white tablecloth, writing in a book. Painted on the right side is a dove with outspread wings. Head with a face that is drawn, with a long, slightly upturned nose, straight slightly lowered eyebrows over almond-shaped eyes, with narrow clenched lips. The head is covered with a red cardinal's cap, from under which a long ear is visible. The saint is dressed in a red cardinal cloak with a hood with a white collar, imposed on his shoulders, and a white robe richly creased with fine folds on his arms and along his body. On the palate of the canopy and to the right, behind St. Gregory's back, wide folds of a green-tinted curtain.

Organ prospectus made of wood, metal (copper alloy) Used " wood carving techniques", "organ makers techniques". Baroque style date of creation around mid-18th century. The organ was made in the organ master's workshop of Antoni Szydlowski in Wroclaw.

The organ is built with four ranks of pipes ( 44 in total), air and keyboard mechanism. The prospectus consists of a paneled substructure hidden behind the choir parapet and a tripartite stand of architectural form. The central part protruded forward in a semicircle, the lower extreme fragments with a gabled arch design - all framed from above by heavily laden, profiled cornices with a design adequate to the projection. The central part connected to the extreme ridges with a corrugated shape. The outermost parts framed on the sides by openwork woodcarving decorations with cartilage and clam shell ornament. On the frontal planes of the upper part of the pipe ranks - decorations with floral ornamentation with elements of scallops and stylized shells. The extreme parts topped with magnificent vases with bouquets of flowers. Above the middle fragment a sculpture of King David.

Organs in permanent use.

Sculpture of King David made of polychrome wood in late Baroque style. It was created in the 18th century Author unknown.

Sculpture placed in the finial of the organ prospectus. Depicts Israelite King David (1022-972 BC) the youngest son of Jesse. Frontal shot of the full figure. The figure holds a four-stringed bowed harp in his outstretched hands to the side. Body twisted to the right side, head with crown facing straight ahead. Hair and beard lush, dark in color. Dressed in a red gown and silver cloak thrown around the neck, falling to the sides. Robes modeled expressively, in rapid movement, folds abundant with sharp folds. Object restored systematically.

Closet made of oak wood , no stylistic features. It was made at the turn of the 18th and 19th centuries.

Cabinet composed of two parts. The lower larger one of six drawers, drawers placed in two columns of three with cast iron curved handles, with a wide top. The upper smaller part with two rows of drawers: 5 at the bottom, 6 at the top. Above, a mirror was placed in a deep drawer. The mirrored cabinet is closed by wings with painted angels in clouds in the finial of a tondo rocaille frame of clamshells and crests.

Dark closet, closet wings in blue tones.

The painting Angel in the Clouds is a tempera on wood in the Baroque style created in the 2nd half of the 18th century.

In 1/3 of the height of the board, against the background of the sky and swirling clouds, framed by the bottom of the clouds, depicted an angel with folded hands in an adoring gesture. The chubby face is surrounded by parted hair, the nose is upturned and the mouth is wide in a smile. Thin wings sprout at the shoulders, with the inscription ECCEPANIS above. Blue tones.